Recently read an article by a prominent British theatre
critic Lyn Gardner on the lack of British East Asian actors in UK, which
consequently could be a factor that led to a recent Royal Shakespeare Company
of “The Orphan of Zhao” with only 3 East Asian actors in the cast. The article investigates the reason
behind the lack of East Asian actors in the British acting scene, and
encourages agencies to put forward more East Asian actors for casting so they could be seen and known. Reading the article got me thinking about the
situation in Australia. Are we sharing the same issue?
I don’t know about other cultures, but for Chinese families,
Chinese parents do not usually encourage their kids to take up performing arts,
or basically any arty profession as a career. I experienced this the first hand
and is still at times being discouraged by my parents to think about
taking up acting as a career. This could be part of the reason why we do not
have a lot of Asian actors in Australia initially.
However, looking at the past 10 years or so, I do think that
there are lots of changes in the Asian acting scene. My first gig was in an all
Asian cast musical “Flower Drum Song” and that was the first time I thought,
“hey there are lots of us around, so why I didn’t see them on stage or on
screen before?” So I started looking into this whole “lack of Asian actors”
claim in the industry.
Even now, at different occasions, when I questioned why
there aren’t more Asian actors on the Australian screen and stage, I was informed
that there aren’t enough Asian actors around to do the jobs, which at times I
found it absurd. Just judging from the casting sessions I went to when they
were looking for stereotypical Asian characters, I always run into a bunch of
Asian actors. Then there is a
question of whether there are enough trained Asian actors in the industry. For
this I thought about the NIDA graduates I knew and could easily find a bunch of
Asian background graduates. Lily Ji (2012), Jenny Wu (2010), Harry Tseng
(2010), Pearl Tan (2005), Gareth Yuen (2005), Jason Chan (2001), and Monica
Sayers (2004). And these are just some of them. There are also other acting
graduates from other acting schools such as Jonathan Chan, Stephanie Son and
Ivy Mak. I myself am a graduate from the Theatre School of UNSW. So the claim
of no professionally trained Asian actors seems to be a bit thin in my opinion.
So what went wrong? Sometimes I do think because there are
not many writers who can write materials for Asian actors. Debra Mailman in one
of her interviews last year did acknowledge that even for Indigenous actors,
roles tend to be more segregated when it comes to general productions. She
cited her role in Offspring as an example in the interview. So maybe Asian
actors and writers should work harder to put out materials to tell our stories
on stage and on screen. But then I also thought, we might have different
traditions and cultural background, should this really play such an important
part in productions when we are just talking about generic characters? I have
Asian Australian friends who were born in Australia and they are more
Australian than Asian. Their parents maybe Asian but my friends speak and act
like Australian nonetheless. They are as Aussie as you could expect. So is it
that important that Asians have to tell Asian stories, as compared to the Australian
stories? Would this approach be actually further segregating the industry into
smaller and less rewarding sectors? These are some of the questions I do have.
For me, I do think we should continue to write and put our
work out there. However, this should be the bridging process of putting our
talents and abilities out there, instead of letting it becoming the only venue
for us to showcase ourselves. Writing our own materials should be a gateway to
open up the market to us and not to be limited by it. I do look forward to one
day I would be called for a “character” in a major production as compared to an
“Asian / Chinese character” in a stereotypical context. But until then I would
continue to write my materials and hopefully get them produced and put myself
out there.
Performance4a - where you find Asian Australian actors |
The Orphan of Zhao didn't have any excuse to justify their ridiculous casting decisions, I agree that 'there aren't enough' actors of Asian descent is utter bollocks. But fortunately there's always going to be room for progress. Which is why I’m creating a campaign for a uni project, I’m hoping that it will gather enough attention so to establish a major play at the Sydney Theatre Company with a multi-racial cast, please have a read of my posts, they’re quite short. Would love to hear your thoughts. I'm also optimistic that one day we'll have a minority the lead of a huge successful production, setting a precedent for many years to come. One play at a time I suppose.
ReplyDeleteSure Kelly. Can you send me the link?
DeleteI have also done a write up of a project I am involved in. Check out my latest article on The Big Gold Mountain.
Cheers
Haven
Hey Haven,
ReplyDeleteIt's www.shadestories.wordpress.com, I will definitely check out your article, thank you for replying :)
I am also on Facebook facebook.com/shadestories
and Twitter https://twitter.com/shadestories
no simple solution mate. firstly, it's not just that writers need to work hard to include other points of views and ethnicities...it's that need more people from different backgrounds in the industry itself.
ReplyDeleteon another level, the asian australian experience itself is very mixed and would be different for different individuals (though there are general commonalities). there isn't one "asian australian experience" to be told.
my own experience as part of the industry has been mixed, but mostly towards the positive. thankfully shows like "the family law" are opening doors.
I doubt there is an actual shortage of asian actors and actreses... The talent is there, available, waiting,waiting for the opportunity to get cast as a non-stereotypical legitimate character with depth in an australian production.
ReplyDeleteAlthough still not as prominent as we'd like it to be, I am seeing more improvement in US productions, not so much film but definitely television. Australia is definitely still very far off.
And it doesnt even have to be an all asian cast, it can be a white majority production with diverse casting. Writers need to create more neutral roles that give the opportunity for all kinds of actors.
Within the two years this post was made, I feel that the situation for Asian Australian actors have not vastly improved nor the fact they are still often typecast in roles that have negative connotations. I agree that Asian parents, particularly first generation parents, do not usually support their children entering the acting industry due to the obstacles faced by Asian actors in Australia. However, this issue becomes cyclical as it hinders development and change when this people in this group attempts to stray away from an entire industry.
ReplyDeleteI think the most relevant and important thing you pointed out is that Asians are often only allocated a certain number of roles so race becomes an issue not acting ability or even accurate portrayal of a story. My campaign "Asian Persuasion" is trying to increase awareness about this issue and also change perceptions of Asian actors in general. I think it is DEFINITELY time for Asian actors to be cast in lead roles, as romantic interests and portrayed as desirable.
If you support this cause please follow us on Twitter, Facebook and Wordpress to hear more.
https://www.facebook.com/Asian-Persuasion-963016080511503/
https://twitter.com/persuasian4
https://asianpersuasionblog.wordpress.com/