The recent outrage about Cate Blanchett speaking up for carbon tax was another indication of sensation reporting in Australia.
The carbon tax issue has been a long standing argument in the recent months with all the pros and cons tossing their woks and pans in the Hell Kitchen known as the Australian Parliament. Both sides have their “points” but who is here to judge? So since we cannot judge on who’s right or who’s wrong we toss the bomb on whoever is the easiest target. In this round, it is Cate Blanchett.
It has been said that actors should restrict themselves to the stage because they are better speaking other people’s words than their own. That is so out dated. Though not everyone transit well from acting to social or political commenting but speaking up for what one believes should not be a crime. Cate Blanchett has been pushing forward the green cause for many years – she has reinvented the Wharf, where Sydney Theatre Company resides as a green complex and never hides the fact that going green for the next generation is high on her priority list. That’s why I was not surprised to hear about her speaking up on this carbon tax. Whether I agree with it is another issue, but if you believe in it what not?
The accusation mainly came from the fact that she is worth 53 million and what would she knows about paying more taxes as a general urban family? That might be true, but that does not stop her from having her own voice and going around rallying for a cause that she believes in. People have to remember that as an actor, she worked hard to build up that 53 million. Most actors started off with a humble career and she definitely did not just become “Cate Blanchett” if she hadn’t worked hard since she graduated from NIDA. So why is she being punished for her cause because of all the hard work she put in in the past decade or so?
What makes Cate Blanchett different is that she is not just an actor who can only speak other people’s work like a carbon copy of the script. She is a person who can speak and articulate her thoughts well and professionally in real life. Anyone who’s watched her interviews and press conferences would have understood where she came from. Since she became the artistic director of Sydney Theatre Company she hasn’t stopped rallying to change the complex into a sustainability powerhouse to show case how to save energy and conserve the environment. So why does she have to stop now? And why is she being the evil queen simply because she believes in what is good for the environment?
Certainly not everybody has several millions at his / her disposal to make his / her residence green and sustainable, but then no matter you believe, support or dislike the carbon tax proposal that should not be used as a weapon against other people who believe in the cause – especially it is about our environment and our future generations. It is very different from people like Tony Abott who earns a lot more than other people, prefer to buy a house he can’t afford and send his kids to expensive private schools and then come back to the Parliament and said he wants higher pay because the current pay level cannot sustain his life style. If Tony Abott can be saved from this kind of stuff it is just hypocrisy to burn Cate at stake because she is supporting something that is close to her heart and good for the environment.
The whole crusade against Cate for me is like a witch hunt. But what disgusts me more is that this is a witch hunt to sell more papers and get higher ratings. Isn’t it great that we can finally find fault for a seemingly “do no wrong” Cate and burn her alive with ink as our fuel and pens as our logs? I personally think media who are fuelling this kind of sensational reporting should be ashamed of themselves but then these are the media with no conscience built in most of the time. I wish the Australian people do have the wit and intelligence to identify the flaws with this latest witch hunt and ditch those media as karma punishment.
Sunday, May 29, 2011
Sunday, May 1, 2011
From 'SeaChange" to "Rake"
As an Australian actor, it is common knowledge that every one of us wants to be on a TV series or hit the jackpot of a great Australian movie. With the Australian movie industry not really going anywhere locally - considering all the box office bombs of local productions in the last few months - TV series seems to be the prize that everyone is going for.
Local productions are notorious for repeating the same old storyline and basing on previous materials, repackage them and thrown them onto the screen as new products. There were some good ones here and there. I totally enjoyed the first season of "The Secret Life of Us" and the first season of "Love My Way" was pretty good too. However, both of them seemed to have lost their steam after the first season. The following seasons became melodramatic and characters behaved ridiculously out of character. I tried "Tangle" but there was nothing grabbing my attention. In terms of cop shows, the subtleness of "East West 101" won miles against "Cop LAC" anyday. I'm never a fan of the "Underbelly" series because I don't believe in glorifying criminal acts on TV screens. Yes they met their demises in the end but that's because they had to since they were based on "true" stroies.
Up till this point "SeaChange" is still the Australian series that I watched again and again and still find it refreshing. I didn't get to see it when it was first aired but was highly recommended by my agent and friend. I checked it out from the library and BAM I was hooked on to it. I bought the whole series after I a job interview at ABC (a job which I obviously didn't get) and watched it all over again. It is still my favorite show to be put on my TV when I do my weekend ironing (I prefer to iron all the clothes for the week in one go) and I still tune in to Foxtel during its occasional rerun - that is how good "SeaChange" is.
What made "SeaChange" so great is its originality and the embracing of ethnicity with a bunch of colourful characters delivered by a superb cast. Chemisty among characters is just bouncing off the screen in every single scene and there is no one dull moment in the show. This is without a doubt mostly contributed to the superb writing from Andrew Knight and Deborah Cox. They created this imaginative small town and detailed it with one interesting story after another. It was just a work of magic.
After "SeaChange", there was nothing that really grabbed my attention. Writing in most shows were dramatic for sake of being dramatic, characters don't really make sense, the screen has become Anglo-centric again, ethnicity became a pinch of stereotypical comic relief. We got too many cop shows, too many medical shows, too many teenagers sleeping with each other shows and too many reality shows.
"East West 101" was a great production but sometimes far too serious that it inevitably gets you unnecessarily depressed. Life is depressing enough so if I have a choice I prefer to watch something that lightens me up at the end of the day. "Packed to the Rafters" was good but as a single guy whose friends are setting up their own families, I kinda became resistent to overly warm and cosy family dramedies. So there was a void for me for quite some time until my agent (once again thanks to her) mentioned "Rake" to me.
"Rake" is a legal dramedy about a dysfunctional lawyer who knows he is dysfunctioned but did not mourn over it. He instead tries to live the most out of it. He tries to fix problems just to find out that he complicated them more. There is no right solutions for him in life or professionally and he just lives with it. The main cast with Richard Roxburg, Matt Day and Adrienne Pickering delivered a superb performance and once again you really see an ensemble that lives off and bounces of each other. As the 8 part series proceeds, you find out more about these characters - you laugh with them sometimes, you shed a tear with them sometimes or you even despise them a bit sometimes. We used to say that audience loves flawed characters, but completely flawed characters nowadays are so cliche that when you met a bunch of characters who are lovable but flawed, you just get right into it.
"Rake" doesn't only have a great main ensemble cast, it has great guest casts such as Hugo Weaving, a never seen before Lisa McCune, Sam Neil, Rachel Griffiths etc who completely spice up your screen with firey performance that reminds you how many great talents this country has. It also has a lot more variety in ethnicity display. Yes most non-Anglo actors are still in the back e.g. among the jury, but it shows a greater diversity of people in a lot of its frames. It is completely refreshing to see something that great on Australian screen again. Oh one last thing, it is written by Andrew Knight - the guy who delivered "SeaChange" to us some years ago.
So check it out if you have a chance.
Local productions are notorious for repeating the same old storyline and basing on previous materials, repackage them and thrown them onto the screen as new products. There were some good ones here and there. I totally enjoyed the first season of "The Secret Life of Us" and the first season of "Love My Way" was pretty good too. However, both of them seemed to have lost their steam after the first season. The following seasons became melodramatic and characters behaved ridiculously out of character. I tried "Tangle" but there was nothing grabbing my attention. In terms of cop shows, the subtleness of "East West 101" won miles against "Cop LAC" anyday. I'm never a fan of the "Underbelly" series because I don't believe in glorifying criminal acts on TV screens. Yes they met their demises in the end but that's because they had to since they were based on "true" stroies.
Up till this point "SeaChange" is still the Australian series that I watched again and again and still find it refreshing. I didn't get to see it when it was first aired but was highly recommended by my agent and friend. I checked it out from the library and BAM I was hooked on to it. I bought the whole series after I a job interview at ABC (a job which I obviously didn't get) and watched it all over again. It is still my favorite show to be put on my TV when I do my weekend ironing (I prefer to iron all the clothes for the week in one go) and I still tune in to Foxtel during its occasional rerun - that is how good "SeaChange" is.
What made "SeaChange" so great is its originality and the embracing of ethnicity with a bunch of colourful characters delivered by a superb cast. Chemisty among characters is just bouncing off the screen in every single scene and there is no one dull moment in the show. This is without a doubt mostly contributed to the superb writing from Andrew Knight and Deborah Cox. They created this imaginative small town and detailed it with one interesting story after another. It was just a work of magic.
After "SeaChange", there was nothing that really grabbed my attention. Writing in most shows were dramatic for sake of being dramatic, characters don't really make sense, the screen has become Anglo-centric again, ethnicity became a pinch of stereotypical comic relief. We got too many cop shows, too many medical shows, too many teenagers sleeping with each other shows and too many reality shows.
"East West 101" was a great production but sometimes far too serious that it inevitably gets you unnecessarily depressed. Life is depressing enough so if I have a choice I prefer to watch something that lightens me up at the end of the day. "Packed to the Rafters" was good but as a single guy whose friends are setting up their own families, I kinda became resistent to overly warm and cosy family dramedies. So there was a void for me for quite some time until my agent (once again thanks to her) mentioned "Rake" to me.
"Rake" is a legal dramedy about a dysfunctional lawyer who knows he is dysfunctioned but did not mourn over it. He instead tries to live the most out of it. He tries to fix problems just to find out that he complicated them more. There is no right solutions for him in life or professionally and he just lives with it. The main cast with Richard Roxburg, Matt Day and Adrienne Pickering delivered a superb performance and once again you really see an ensemble that lives off and bounces of each other. As the 8 part series proceeds, you find out more about these characters - you laugh with them sometimes, you shed a tear with them sometimes or you even despise them a bit sometimes. We used to say that audience loves flawed characters, but completely flawed characters nowadays are so cliche that when you met a bunch of characters who are lovable but flawed, you just get right into it.
"Rake" doesn't only have a great main ensemble cast, it has great guest casts such as Hugo Weaving, a never seen before Lisa McCune, Sam Neil, Rachel Griffiths etc who completely spice up your screen with firey performance that reminds you how many great talents this country has. It also has a lot more variety in ethnicity display. Yes most non-Anglo actors are still in the back e.g. among the jury, but it shows a greater diversity of people in a lot of its frames. It is completely refreshing to see something that great on Australian screen again. Oh one last thing, it is written by Andrew Knight - the guy who delivered "SeaChange" to us some years ago.
So check it out if you have a chance.
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